ready-made

an art concept that emerged around 1915, that was primarily associated with the work of French artist Marcel Duchamp. The term refers to pre-existing, manufactured objects that an artist selects & designates as art, thus challenging traditional notions of craftsmanship, creativity, & artistic originality. Duchamp's concept of the ready-made sought to subvert the established hierarchy of fine art by emphasizing the artist's choice & intention over technical skill. The scope of the ready-made movement extended beyond its initial years (1917–1920) & laid a philosophical foundation for subsequent developments in modern & contemporary art, including Dada, Surrealism & Conceptual Art.

The ready-made defied the conventional idea that art must be visually appealing or handcrafted, redefining the boundaries between art & everyday life. It questioned the role of the artist, asserting that art is not just a product but also an idea or a statement. This radical shift in perspective encouraged future artists to explore the power of context, intention, & meaning, setting a precedent for works that would continue to challenge & expand the definition of art for decades to come.

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